The Film Connoisseur Visits the Set of Fast and the Furious Five!

In case you wondered what The Film Connoisseur really looks like, thats me right there, behind me one of many Dodge Chargers that were used ...


In case you wondered what The Film Connoisseur really looks like, thats me right there, behind me one of many Dodge Chargers that were used during the filming of Fast Five!

I've never been a huge fan of the Fast and the Furious franchise. To me they are a bunch of dumb and brainless action films. I never really saw the first one, fell asleep watching the second one, watched the third one in the theaters because my dad wanted to see it (and actually enjoyed it) and finally, I did see the fourth entry in the series, because I wanted to see how it would connected to this fifth one that was being filmed in my country. I was surprised to find myself enjoying the fourth one. The stunts were fun as hell, there is one spectacular one that opens up the movie, where they are trying to steal gasoline from a fast moving gasoline truck; the results were pretty explosive to say the least.  Maybe I've been underestimating these movies and ought to give them a chance? The two I have seen have been fun times, maybe one day, I'll check all the other ones out. At the very least the films have well orchestrated action sequences; you gotta give them that!

This was going down right in front of my job, of course I had to be there!

But here’s something cool that happened to me a couple of months ago: the fifth Fast and the Furious film (Fast Five) was being shot right here in Puerto Rico, where I live! So this meant that Vin Diesel, The Rock, Elsa Pataki and Paul Walker would all be visiting the island shooting all sorts of crazy action scenes. I never got to see any of the big action stars because they only come out of their hotel rooms to film the close ups, but I did get to see a lot of the second unit stuff that was being filmed, and that was quite an experience. Lots of action, lots of destruction.

These Dodge Chargers were the ones that dragged the Vault around, I counted five Dodge Chargers on the Set. You can see the vault behind those guys.


And destroy things they did! The production of the film shut down entire streets! They even closed down a whole freaking bridge for a couple of days in a row. These guys had kajillions to spend and they meant to spend them. Coolest thing about the whole thing? They were going to film some scenes right smack in front of the building where I worked at! You know what that meant, I was gonna document as much of the experience as I could! These fast cars drove by at high speeds, they crashed and destroyed everything on that street! The skid marks the cars left behind are still on the street, and they shot this whole thing about a month ago! How much money did this production have? Well, they closed down a gas station for three whole days that’s how much money they had.

This van had a camara attached to it at the top, the whole crew drove around it shooting stuff! Lucky bastards!

Though I don’t really love these films, it was exciting to see a big multi million dollar production unfold right in front of my eyes. I mean, I got to see the cameras, the extras, the lights and the sets! They even built a whole bank from the ground up, simply to destroy the whole damn thing in a couple of seconds of course. Luckily, I was there to witness the destruction.

Here we can see them shooting the destruction of the "bank" in the first pic above, and the bank set after it was destroyed by the vault. Notice the fake police cars.  

They filmed this whole sequence where these two cars are dragging a bank vault across the street. As they dragged the vault, Brazilian cops where hot on their tail. You see, the movie is supposed to take place on Brazil, at least part of it. So they changed all the billboards and signs to look like they were from Brazil. The vault went around crashing into cars and light posts and destroying buildings as it was being dragged. Man, these guys destroyed cars like they were toy cars, they didn’t care how many millions they spent! It was crazy. I asked them at one point (cause I got to walk around freely through the set after filming wrapped) if they planned on destroying all these cars. And they told me that they didn’t plan to destroy as many as they did. Funniest thing? The vault ended up destroying one of the most expensive cars on the street!

One of the many cars the Vault smashed up!

Another action scene involved the vault destroying a bus station and a light post. The light post fell down and hit one of the police cars that was following the good guys. So they smashed this light post over and over again on this police car they had rigged to look all smashed up. Fun times in deed!

The two cars dragged the vault down this street as it was banging cars left and right. It was a big action sequence!

I got to personally talk with Paul Walkers stunt double, guess what? He told me he didn’t have to work for the rest of the year because this movie paid him so much! Ha! Lucky dude. And I said hi to one of the second unit directors, he told me his name was 'Spyro'. At one point I had to get out of the way because they were going to film some scenes of a car burning rubber, and I stood next to some producers. I could hear them talking all sorts of Hollywood producer things like “were gonna be filming this scenario and that scenario and then we wrap” and I swear, I was standing next to this woman who I thought might be   Michelle Rodriguez…but she was wearing this huge hat and these huge glasses. That’s the kind of thing actors do to hide their identities. The mysterious woman had a birthmark on her face and I didn't remember Michelle Rodriguez having one. Plus, Rodriguez's character doesn't appear on this fifth installment, so I let it slide. Later, when I finally got to see the film, I realized it was Elsa Pataki whom I had been standing next to! That birthmark  gave her away! 

Coolest experience was when they wrapped, the whole crew gathered and screamed and hugged and laughed. It was like one huge filmmaking family! What a moment that was!

Minutes after they yelled "thats a wrap!" Notice all the debri on the road!

So anyways, hoped you guys liked the pictures of my experience. Puerto Rico has suddenly become a haven for filmmakers, because of the tax deductions, studios save mucho dinero by filming here. They just got through filming some scenes for Pirates of the Caribbean 4, it was a love scene between Johnny Depp and Penelope Cruz and they filmed it in 3d! They also recently shot The Rum Diaries in its entirety here. Im still waiting to see that one though, I guess they are waiting to release that one around Oscar time. And finally, I hear that the next Die Hard movie will be filmed here, so I’ll keep you guys posted on that. Maybe I’ll get to take some pictures of that one as well!


The Fast and the FuriousFast & FuriousFast & Furious 4-Movie CollectionThe Fast and the Furious - Tokyo Drift (Widescreen Edition)

COMMENTS

Nama

'Final Girl',1,'Noughties films',1,'Sixth-Generation' Chinese filmmaking,1,[REC] 2 (2009),1,16 Ghost Movies to Enjoy on Halloween Night,1,16 Unusual Vampire Movies,1,1940s Hollywood,3,1995,1,1996,1,1999,1,20 Demon Movies,1,20 Werewolf Movies,1,2002,1,2003,1,2007,1,2008,1,2011,3,2012,2,2013 Movie List,5,2014,13,2014 Movies,11,2015,12,2016,29,2017,45,2018,1,23 More Oddities and Strange Creatures from Film Land,1,23 Oddest and Strangest Monsters of Filmland,1,35 Rhums,1,40 Memorable Movie Cars,1,720p,13,A Nightmare on Elm Street (2010),1,A Nightmare on Elm Street 2: Freddy's Revenge,1,A Simple Plan,1,Aaron Hillis,1,Abbas Kiarostami,2,Academy Awards,1,Academy of Motion Picture Arts and Sciences,1,Action,64,Action Films,4,Adam Curtis,1,Adoration,1,Adrian Martin,8,Adrien Brody,1,Adventure,34,Agnès Varda,3,Alain Cohen,1,Alden Ehrenreich,1,Alec Baldwin,1,Aleck Bovick,1,Alejandro Amenabar,1,Alejandro Amenábar,1,Alejandro Gonzalez Inarritu,1,Alejandro Jodorowsky,2,Álex de la Iglesia,1,Alfred Hitchcock,1,Ali Larter,1,Alice Braga,1,Alison Butler,1,Aliya Mortel,1,Allan Shiach,1,Allan Smithee,1,Alma Soriano,1,alphabet meme,1,Alternative DVD Commentaries,1,Amanda Bearse,1,Amanda Page,1,Amando Ossorio,1,Amy Adams,1,Ana Capri,1,André Bazin,1,André Habib,1,Andrea del Rosario,1,Andrew Garfield,1,Andrew Horton,1,Andrew McCarthy,1,Andrzej Zulawski,1,Angela Ortiz,1,Angela Velez,1,Angelina Jolie,1,Angels Poster Gallery,1,Angie Everhart,1,Animated Films,5,Animation,15,Anna Marie Gutierrez,1,Anne Helen Petersen,1,Anthony Hopkins,1,Anthony Minghella,1,Antichrist (2009),1,Antoine et Colette,1,Anton Walbrook,1,Anton Yelchin,1,Anya Soler,1,Ara Mina,5,Arnold Schwarzenegger,3,Art House Films,11,Artists' film and video,3,Atom Egoyan,3,Aubrey Miles,1,audience research,1,Audio Commentaries,1,auteurism,5,Avant-Garde and Experimental Cinema,3,Aya Medel,4,Barack Obama,1,Barbara Crampton,1,Barbara Milano,1,Barbara Stanwyck,1,Barbarella,1,Barry Lyndon (1975),1,Barry Sullivan,1,Barton Byg,1,BBC,1,Beau Travail,1,Béla Balázs,1,Bela Tarr,1,Belinda Bright,1,Ben Goldsmith,1,Benicio del Toro,1,Best scholarly blogs poll,3,Bette Davis,1,Beyond Rangoon (1995),1,Bill Hader,1,Biography,4,Biutiful (2010),1,Black Swan (2010),1,Blade Runner,1,blogathons,1,blogging,1,BluRay,6,Bollywood,2,book reviews,1,Book to Film Comparison,1,Box Office,2,Brad Dourif,1,Brad Pitt,1,Bret Easton Ellis,1,Brian Yuzna,1,Bridget Fonda,1,Brigitte Nielsen,1,British cinema,4,Bronson (2008),1,Bruce Robinson,1,Bruce Willis,1,Bruno Ganz,1,Buffy Studies,2,Burial Grounds: Nights of Terror (1981),1,Caligula (1979),1,Calls for Papers,1,Cameron Diaz,2,Canada,2,capturing stills from video,2,Carl Theodor Dreyer,1,Carla Gugino,1,Carol Clover,1,Caroline Munroe,1,cartoons,1,Category D,1,Catherine Breillat,1,Catherine Deneuve,2,Cecelia Condit,1,Chang Cheh,2,Charisma Carpenter,1,Charles Band,1,Charles Musser,1,Charlie Boorman,1,Charlie Sheen,1,Charlotte Gainsbourg,1,Cheech Marin,1,children's film and TV,1,Chinese cinema,1,Chistopher Plummer,1,Chiwetel Ejiofor,1,Chloe Sevigny,1,Chris Cagle,2,Chris Hemsworth,1,Chris Sarandon,1,Chris Tucker,1,Christian Bale,1,Christian Keathley,2,Christoph Waltz,1,Christopher Mintz Plasse,1,Christopher Nolan,1,Christopher Plummer,1,Christopher Sarandon,1,Chuck Russell,1,Chuck Tryon,1,Cinemalaya 2014,15,Cinematech,1,Cinephilia,1,cinetrix,1,Claire Denis,3,Classic,3,Claude Chabrol,3,Clint Eastwood,1,Clint Howard,2,Clio Barnard,1,Cloverfield,1,Coca Nicolas,1,Colin Farrell,1,Colin Firth,1,Collin Farrell,1,Comedy,61,Comedy Films,6,Conceptual Artwork for films that never got made,1,conference papers online,2,Cool Movie Weapons,1,Coppolas,1,copyright,5,Corey Feldman,2,courtesan film,1,credit sequences,1,Crime,20,crime films,1,Criselda Volks,2,Cristina Crisol,1,Cristina Gonzales,1,Dan Hedaya,1,Dan Jardine,1,Dan North,3,Dan O’Bannon,1,Danger: Diabolik (1968),1,Daniel Frampton,1,Danièle Huillet and Jean-Marie Straub,1,Daniella,1,Danny Boyle,1,Danny McBride,1,Danny Trejo,2,Dante Tomaselli,1,Dardenne brothers,1,Dark House (2010),1,Dark Star (1974),1,Darren Aronofsky,1,David Attenborough,1,David Bordwell,6,David Bowie,1,David Cronenberg,3,David Gordon Green,1,David Hasselhoff,1,David Hudson,1,David Lynch,2,David O. Russell,1,David Sorfa,1,David Sterritt,1,David Tenant,1,David Trotter,1,Dean Devlin,1,Dennis Miller,1,Diana Ross,1,Diana Zubiri,4,Diane Salinger,1,Diasporic Film,1,Dina Iordanova,2,Dindi Gallardo,2,Dinner for Schmucks (2010),1,Director's Cut,1,Directors' Notes,1,Divina Gracia,1,documentary filmmaking,5,documentary resources,8,Dolph Lungdren,1,Don Omar,1,Donald Pleasance,1,Donald Richie,2,Douglas Sirk,1,Drama,127,Drama Films,28,du_01.34,1,du_01.41,1,du_1.14,1,du_1.21,1,du_1.26,1,du_1.33,1,du_1.34,1,du_1.44,1,du_1.56,1,du_2.03,1,du_2.06,1,du_2.15,1,du_2.47,1,Dwayne Johnson,1,e-books,9,e-journals,12,early and silent cinema,1,Ed Howard,2,Edit Room,1,Edward Furlong,1,Eija-Liisa Ahtila,2,Eleanor Coppola,1,Elias Koteas,1,Eliseo Subiela,1,Elliot Silverstein,1,Elmore Leonard,1,Elsa Pataki,1,Emeric Pressburger,1,Emily Blunt,1,Emily Browning,1,Emmanuelle Beart,1,Enter the Void (2010),1,Enzo Staiola,1,Eric Faden,1,Erich Auerbach,1,Erich Kuersten,1,Erika Eleniak,1,Ernie Reyes Jr.,1,Eurocentrism,1,European cinema,2,European Graduate School,1,Eve Kosofsky Sedgwick,1,Evilspeak (1981),1,exilic cinema,1,Expanded Cinema,2,Eyes Wide Shut (1999),1,Fabrice Du Welz,1,Failed Franchises,1,fair dealing,1,fair use,7,Family,4,fan studies,1,Fantasy,17,Fantasy Films,4,Farrah Fawcett,1,Fast Five (2011),2,Faye Wong,1,Federico Fellini,1,feminist film studies,3,Fernando Meirelles,1,film adaptation,1,film and literature,1,Film and Philosophy,1,film authorship theory,3,film co-production,1,film criticism,5,film directing,2,film directors,2,film endings,1,film festivals,2,film historiography,1,film history,3,film melodrama,1,film music,6,film pedagogy,8,film philosophy,1,Film practice as research,5,film programming,1,film protagonist,1,Film Quarterly,1,film research by practice,3,film sets,1,film sound,1,film spectatorship,1,film studies,2,film studies blogs,4,film studies publishing,2,film technique,1,film technology,1,film theory,2,film-industry studies,1,Filmmakers' Websites Of Note,1,Filmosophy,1,Films about Films,3,Fire and Ice (1983),1,first post,1,Five Element Ninjas (1982),1,Flickhead,1,Flow,1,For Ever Godard,1,Foreighn Movies,1,Forum,1,FPJ Movies,3,frame grabs,2,Frances McDormand,1,Francine Prieto,3,Francis Ford Coppola,1,François Ozon,1,François Truffaut,1,Frank Frazetta,1,Fred Dekker,1,free film downloads,4,Free Online Films,7,French cinema,3,French New Wave,4,Fright Night (1985),1,Fright Night (2011),1,Fritz Lang,2,FSFF Video Essays,1,full disclosure,1,Gael Garcia Bernal,1,Galaxy of Terror (1981),1,Gary Hall,1,Gary Sinise,1,Gaspar Noe,2,gay films,1,Gay Movie,1,gender studies,2,Gene Hackman,1,Gene Youngblood,1,Geoffrey Kantaris,1,Geoffrey Rush,2,George A. Romero,2,George Clooney,1,George Lucas,1,George Nolfi,1,German Cinema,2,German film,2,Germany,1,Ghost in the Shell (1995),1,Ghost Movies,1,Giorgio Agamben,1,Giovanni Arrighi,1,Girish,1,global film blogging,1,Glydel Mercado,2,Godzilla Films,6,Godzilla vs. King Ghidorah (1991),1,Godzilla vs. Mothra: The Battle for Earth (1992),1,Godzilla: Final Wars (2004),1,Gojira (1954),1,Gordon Liu,1,Grace Zabriskie,1,graduate film and media studies journals,5,graphic design,1,Greg Mottola,1,Guerilla (2009),1,Guillermo del Toro,1,Gus Van Sant,1,Guy Pearce,1,Gwen Garci,3,Haline Perez,2,Harold Pinter,1,Harrison Ford,1,Harry Tuttle,2,Harun Farocki,1,Hazel Cabrera,1,Heath Ledger,1,Heaven and Earth (1993),1,Helen Mirren,1,Helena Bonham Carter,1,Hellbound: Hellraiser II (1988),1,Hellraiser Series,1,Henry Jenkins,2,Hindi cinema,1,History,5,Hito Steyerl,1,Holiday Greetings 2010,1,Hollywood,8,Holocaust on film,1,Horor,5,Horror,20,Horror Cinema,2,horror television,2,House of the Devil (2010),1,Howard Hawks,2,I Screen Studies,1,I Stand Alone (1998),1,I Vitelloni (1953),1,Ian Mc Shane,1,If… (1968),1,Ilonah Marquez,1,Imogen Poots,1,implied authorship,1,Ina Raymundo,2,India,1,Indian cinema,1,IndianAuteur,1,Indie Films,11,Individual Authors' Online Film Studies Writing,1,Individual Authors' Online Writing Of Note,2,Indonesia,9,Ingmar Bergman,2,intellectual property rights,1,Internet Archive,4,Introduction to Film Studies,1,introduction to television studies,1,Intute,1,Invasion of the Astro-Monster (1965),1,Isabelle Adjani,2,Ishiro Honda,2,It's a Wonderful Life,1,Italian Horror Films,2,Italian Rip Offs Poster Gallery,1,Jack Sholder,1,Jackie Brown (1997),1,Jackie Chan,1,Jackie Earle Haley,1,Jacques Rancière,1,Jaden Smith,1,James Brolin,1,James Cameron,1,James Franco,1,James Mangold,1,James Spader,1,James Woods,1,Jami Gertz,1,Jan De Bont,1,Jan Leyda,1,Jan Švankmajer,1,Japan,1,Japanese Animation Films,3,Jason Bateman,1,Jason Behr,1,Jason Isaac,1,Jason Martin Scott,1,Jason Mittell,2,Jason Sperb,1,Jason Statham,1,Jaume Balaguer,1,Javier Bardem,1,Jay Chou,1,Jaycee Parker,1,JC Parker,1,Jean Baudrillard,1,Jean Vigo,1,Jean-Luc Godard,3,Jean-Luc Nancy,1,Jeff Bridges,2,Jeff Fahey,1,Jeffrey Combs,3,Jena Malone,1,Jennifer E. Langdon,1,Jennifer Lee,1,Jepang,1,Jeremy Butler,1,Jessica Alba,1,Jessica Chastain,1,Jet Li,1,JFK (1991),1,Jim Emerson,2,Jimmy Wang Yu,1,Joan Copjec,1,Joanne Woodward,1,Joao Ribas,1,Joe Spinnell,1,Joe Versus The Volcano (1990),1,John Akomfrah,1,John Astin,2,John Boorman,2,John Carpenter,2,John Cassavetes,1,John de Bello,2,John Fasano,1,John Gielgud,1,John Kassir,1,John M Frame,1,John Patrick Shanley,1,John Phillip Law,1,John Waters,1,Johnny Depp,2,Jon Beasley-Murray,1,Jonathan Rosenbaum,5,Jordana Brester,1,Jörg Lemberg,1,Josef von Sternberg,1,Joyce Jimenez,1,Jude Law,1,Judy Garland,1,Julia Lesage,1,Juliana Palermo,1,Juliette Lewis,1,Jump Cut,1,Justin Lin,1,Justin Theroux,1,Kamal Amrohi,1,Kant Miss Kung Fu Klassics,5,Karate Kid (2010),1,Karen Allen,1,Karla Estrada,1,Kat De Santos,2,Kat Dennings,1,Kate Winslet,1,Katrina Paula,4,Katsuhiro Otomo,1,Katya Santos,3,Keith David,1,Ken Adam James Bond films,1,Ken Foree,1,Kenneth Branagh,1,Kevin B. Lee,3,Kevin B. Lee,8,Kevin Dillon,1,Killer Tomatoes Strike Back (1991),1,Kim Akass and Janet McCabe,1,Kimberley Lindbergs,1,Knight and Day (2010),1,Komedi,1,Korea,3,Krista Ranillo,1,Kristen Wiig,1,Kristin Thompson,2,ku_HD,13,Kuhdet Honasan,1,Kuhu Tanvir,1,L. Frank Baum,1,Lamberto Maggiorani,1,Lance Henriksen,2,Lars Von Trier,1,Laserblast (1978),1,Latin America,4,Latin American film studies,2,Laura Mulvey,1,Laurence Fishburne,1,Lawrence Lessig,1,Lee Strasberg,1,legal downloads,1,Leon Vitali,1,Leonardo DiCaprio,2,Les Maitres Du Temps,1,lesbian films,1,Less Than Zero (1987),1,Letter from an Unknown Woman,1,lgbt films,1,Lianella Carell,1,Lieve Schreiber,1,Lilly Cole,1,Lindsay Anderson,1,Lloyd Bridges,1,Logan's Run (1976),1,London Film Festival,1,Lost Boys: The Tribe (2010),1,Lost film-websites,1,Lou Ye,1,Lucia Legarda,1,Lucrecia Martel,2,Ludacris,1,Luigi Cozzi,1,Luis Buñuel,3,Luke McKernan,4,M,1,M. Night Shyamalan,1,Machete (2010),1,Mads Mikkelsen,1,magic on film,1,Makhmalbafs,1,Malcolm McDowell,2,Mamoru Oshii,1,Manohla Dargis,1,Mara Lopez,1,Maria Isabel Lopez,1,María Luisa Bemberg,1,Maribel Verdu,1,Maricar de Mesa,1,Marilyn Chambers,1,Mario Bava,2,Mario Benedetti,1,Marisa Berenson,1,Marisa Mell,1,Marius Goring,1,Mark Patton,1,Mark Wahlberg,1,Martha Plimpton,1,Martin Scorsese,2,Master of the Flying Guillotine (1975),1,Matt Damon,1,Matt Zoller Seitz,4,Maui Taylor,3,Maye Tongco,1,Meaghan Morris,1,media studies,1,MediaCommons,1,Meena Kumari,1,Meg Foster,1,Meg Ryan,1,Melissa Leo,1,Memorable Horror Movie Posters,1,Memorable Movie Robots Part 2,1,Memorable Movie Robots Part I,1,Mercedes Cabral,2,Michael Anderson,1,Michael Caine,1,Michael Chanan,1,Michael Ende,1,Michael Haneke,2,Michael J Anderson,2,Michael Jackson,1,Michael Keaton,1,Michael Moore,1,Michael Powell,2,Michael Rooker,1,Michael Shannon,1,Michael Wincott,1,Michael York,1,Michel Laclos,1,Michelle Aldana,1,Michelle Estevez,1,Michelle Rodriguez,1,Mickey Mouse,1,Mickey Rourke,1,Mike Marvin,1,Mila Kunis,1,Milla Jovovich,1,Mira Nair,1,Miriam Makeba,1,Mistery,11,Miya Nolasco,1,MMFF Entries,3,Moira Shearer,1,Moments of Choice,1,Monica Keena,1,Monster Blog Post,2,Monster Film,1,Monster Films,2,Movie poster typefaces,1,Moving Image Source,1,Museum of the Moving Image,1,music video,1,Musical,3,My Son My Son What Have Ye Done (2009),1,Myles Hernandez,1,Myra Manibog,2,Mystery,3,Natalie Portman,3,Natural Born Killers (1994),1,natural history film,1,Nazism on film,1,New German Cinema,1,new media studies,1,Nicholas Rombes,1,Nick Cassavetes,1,Nick Davis,1,Nick Frost,1,Nicolas Roeg,1,Nicolas Winding Refn,2,Nicole Brenez,1,Nicole Kidman,2,Night of the Demons (1988),1,Night of the Demons (2009),1,Nika Madrid,3,Nimrod Antal,1,Nina Paley,1,Nini Jacinto,1,Nöel Burch,1,Norma Bengell,1,Ntongela Masilela,1,Oliver Postgate,1,Oliver Stone,8,online searches,1,Online Training,1,Only the Cinema,1,Open Access,8,Open Library,1,opening sequences,1,Original vs. Remake,1,Orson Welles,1,Oscars,2,Ossie Davis,1,Other Voices,1,Paco Plaza,1,Pakeezah,1,Pam Cook,1,Pamela Grier,1,Pan's Labyrinth,1,Paprika (2006),1,Parasomnia (2010),1,paratextuality of films,1,Participations,1,participatory culture,1,Patricia Arquette,1,Patricia Aufderheide,1,Patricia Javier,4,Patricia Rozema,1,Patrick Keiller,1,Patrick Kilpatrick,1,Paul (2011),1,Paul Bowman,1,Paul Dano,1,Paul Julian Smith,1,Paul McGann,1,Paul Naschy,1,Paul Newman,1,Paul Ricoeur,1,Paul W.S. Anderson,1,Paul Walker,1,Paula Gomez,1,Pedro Almodóvar,2,peer-reviewing,1,Penelope Cruz,1,Pepsi Paloma,1,Peter Falk,1,Peter Firmin,1,Peter Greenaway,1,Peter O Toole,1,Peter Weir,1,Phil Fondacaro,1,Phillip K. Dick,1,Phillip Noyce,1,philosophy and film,1,Piel Morena,1,Pinewood Dialogues,1,Pirate Philosophy,1,Pirates of the Caribbean,1,Pirates of the Caribbean: On Stranger Tides (2011),1,Planet of the Vampires (1965),1,Podcasts,6,politics,3,popular,2,popular film and television,1,Possession (1981),1,Post Apocalyptic Films,2,postcolonialism,1,Poster Galleries,2,Powers Boothe,1,
ltr
item
movieholic: The Film Connoisseur Visits the Set of Fast and the Furious Five!
The Film Connoisseur Visits the Set of Fast and the Furious Five!
http://i21.photobucket.com/albums/b300/spacemonkey_fg/My%20own%20pictures/DSCN4029.jpg
http://i21.photobucket.com/albums/b300/spacemonkey_fg/My%20own%20pictures/th_DSCN4029.jpg
movieholic
https://movieholic002.blogspot.com/2010/11/the-film-connoisseur-visits-set-of-fast.html
https://movieholic002.blogspot.com/
http://movieholic002.blogspot.com/
http://movieholic002.blogspot.com/2010/11/the-film-connoisseur-visits-set-of-fast.html
true
2561849497115890377
UTF-8
Loaded All Posts Not found any posts VIEW ALL Readmore Reply Cancel reply Delete By Home PAGES POSTS View All RECOMMENDED FOR YOU LABEL ARCHIVE SEARCH ALL POSTS Not found any post match with your request Back Home Sunday Monday Tuesday Wednesday Thursday Friday Saturday Sun Mon Tue Wed Thu Fri Sat January February March April May June July August September October November December Jan Feb Mar Apr May Jun Jul Aug Sep Oct Nov Dec just now 1 minute ago $$1$$ minutes ago 1 hour ago $$1$$ hours ago Yesterday $$1$$ days ago $$1$$ weeks ago more than 5 weeks ago Followers Follow THIS CONTENT IS PREMIUM Please share to unlock Copy All Code Select All Code All codes were copied to your clipboard Can not copy the codes / texts, please press [CTRL]+[C] (or CMD+C with Mac) to copy