Evilspeak (1981)

Title: Evilspeak (1981) Director: Eric Weston Cast: Clint Howard, Richard Moll Review: Satanic themed movies where big during the 70’s ...


Title: Evilspeak (1981)

Director: Eric Weston

Cast: Clint Howard, Richard Moll

Review:

Satanic themed movies where big during the 70’s and 80’s, but in my opinion they’ve kind of lost popularity, I guess because kids don’t find Satan scary anymore, but back in the 80’s Satan was the talk of the town, and religious horror was at its peak. Films like The Exorcist (1973) and The Omen (1976) thrived on people’s fears of the old Father of Lies, The Prince of Darkness, Beelzebub himself. Right now, these types of movies are more likely to elicit laughs from audiences instead of scares; hell, I’ll be honest, Evil Speak got a couple of chuckles from this Film Connoisseur! Of course, Clint Howard’s funny looking face had a lot to do with that, but also the cheesiness of the whole satanic angle made me chuckle, I don’t know what it is but I can never take these Satanic worshipping movies seriously. As far as I’m concerned, Satanist are even lower in the religious echelon then all other religions, they are far sillier to me then all other branches of Christianity. But back in the 70’s and 80’s these satanic themed films really played with peoples heads.


Evil Speak is all about a young man named Stanley Coopersmith, a teenager who gets picked on all the time by his classmates. You know how that old storyline goes; Stanley’s peers make fun of him all the time and essentially make his life a living hell. Stanley goes to a military academy where only the richest families send their sons. But Stanley stands out like a cockroach in a chicken dance, because he isn’t rich, he isn’t good looking and he’s a major geek. You see, sometimes, as a service to society, this elite military school takes in ‘welfare cases’ like Stanley. Kid’s who have no parents and don’t come from a rich family. It’s the governments’ social service that’s always taken care of Stanley, a true product of ‘the system’. And so, even though he isn’t rich or anything he ends up going to this military school where they shape rich young men into fine killing machines for the U.S. government. It’s the kind of school where they program kids with Christianity and loyalty to your country.

Bullies: an essential part of any good 1980's teen horror flick!

But in this Christian military academy, no one gives Stanley the respect he deserves as a human being. He’s always seen as the ‘weirdo’ the proverbial outcast, so much so that not even the teachers give him the time of day. So he often times gets the jobs that no one likes to do like taking out the garbage, taking care of the schools pig sty (yup you read that right!) and doing hard labor like cleaning up the schools abandoned cellar. One day, while cleaning the cellar, Stanley discovers an entrance into an old catacomb! This new discovery grabs his attention so much that he begins to explore the old catacombs until he discovers an ancient library filled with books on occultism and Satanism. You see, this ancient library use to belong to the biggest devil worshipper to ever come out of the Spanish Inquisition, Father Esteban! So Stanley, intrigued by these ancient books takes the most Satanic one home: the one in which Father Esteban gives detailed instructions (in Latin no less!) on how to sell your soul to Satan himself! Stanley translates the diary into his computer and suddenly blamo! His computer is possessed! And so is he!


Before I go on, I need to mention a passage from the bible that is tied directly to this films plot. It’s the passage found in the book of Mark Chapter 5; in which Jesus meets up with a possessed man. When Jesus asks the man what is his name the demons inside of him reply “We are Legion, for we are many”. Then, then the demons frightened with the notion that the son of God might send them back to hell with his magic powers, beg him not to do so. Now, since Baby Jesus is such a nice guy, he doesn’t send them back to hell. Instead, he expels the demons from the man, and sends their spirits to posses a herd of pigs that happened to be close by; so the herd of pigs gets possessed by the legions of demons who end up running all crazy towards a cliff before jumping off and killing themselves. The reason why I mention this biblical passage is because Evilspeak might as well have been called Satan’s Killer Pigs! Or Night of the Possessed Boars or something!

Turns out wild man eating boars make up an important part of Evilspeak because every time somebody messes with the Satanic book, the boars that are held up in the military academies pig sty go crazy. Now if a military school having man eating boars isn’t strange enough for you, how’s about having these pigs become possessed by demons and eating people alive? Is that crazy enough for ya? Well, that’s exactly what happens. Problem is that if you have never read the bible, you’ll probably see the possessed pigs in Evilspeak and think “What the fuck!!??” But, now, thanks to this informative review you are reading right now, you wont have this problem. Thank me later. But speaking of killer pigs, these monstrous boars offer up one of the grizzliest moments in the film. Just remember in the world of Evilspeak; Pigs = Evil.


Evilspeak is a “the worm has turned” type of story where the nerdy guy that gets picked on by all the bullies suddenly finds himself in the position of having the power to get back at anybody whoever messed with him. In this sense Evilspeak reminded me of quite a few movies like for example Robert Englund’s 976-EVIL (1988), in which a nerdy young guy gets possessed by Satan. But on that film he gets possessed by calling a telephone hot line! He also gets revenge on all the buttholes whoever tortured him. Brian De Palma’s Carrie (1976) has the same plot. Only in Carrie it’s a nerdy girl with telekinetic powers who gets sweet revenge. We could also mention that this one has a lot in common with Damien: Omen II (1978) as well, it deals with a military academy student, and with Satan. But ultimately, the film that has the most similarities with Evilspeak is a film called Fear No Evil (1981) and it’s about this nerdy high school kid who turns out to be Lucifer himself. Fear No Evil is actually a pretty decent horror film that tends to get ignored by most, but in my opinion is quite effective. Well, I remember it scaring the pants off of me when I was a kid, my father (god bless his soul) took me to see that one in theaters when I was about five years old. Fear No Evil has so much in common with Evilspeak its not even funny! It's the same exact premise! It even has a scene where a crucifix comes alive and kills someone; a similar scene can be found in Fear No Evil. But, ultimately, what separates Evilspeak from all those other films that I mentioned before is the computer angle.


You see in Evilspeak, Stanley translates this Satanic diary and types every word into his computer. Once the book has been typed into a computer program, the computer becomes possessed and an evil spirit speaks through it to Stanley helping him commit all sorts of vengeful and evil things, like killing off bullies and teachers. Now, computers in 1982 where in diapers, so it’s really funny to see the gigantic keyboard that Stanley uses to type onto his computer! The computer graphics themselves are really ancient, they reminded me of the kind of graphics we saw in films like Nightmares (1983) That film is an anthology that showcases various horror stories, but one of them (the one called ‘Bishop of Battle’) is about a video game that eats up this kid (a very young Emilio Estevez) who becomes obsessed with it. The graphics in that one are similar to the ones seen on Evilspeak. From what I heard in the audio commentary, this was one of the first films to use a computer as a major part of its plotline, so I guess it’s important for that alone. Kids using computers for evil, or becoming possessed by the use of computers have come along way since Evilspeak, the most recent one that comes to mind is Brainscan (1994) with Edward Furlong playing the computer geek who becomes possessed by a demonic video game character. Actually Brainscan is a pretty decent movie now that I recall!

Clint Howard's hair piece is possesed by the devil!

Another cool thing this movie has going for it is Clint Howard who’s become some kind horror movie icon over the years, specially when we take in consideration all the horror films and b-movies he has appeared in. Howard has a goofy looking face which lends itself perfectly for this type of nerdy character. Funny thing is that Howard wears a different hair piece in many of his films! I remember on The Wraith (1986), Howard wore a hair piece to play a character called ‘Rughead’, a character who was an obvious nudge to David Lynch’s Eraserhead (1976). On Evilspeak Howard’s hairpiece goes all crazy when he becomes fully possessed in the last frames of the film, it reminded me of one of those Japanese cartoons like Dragon Ball or Akira in which the characters hair goes all crazy when they get super powerful? That’s exactly what happens to Clint Howard on this movie. Basically, he gets pissed on by everyone during the first hour of the film so that he can go all crazy on their asses on the last half, when he becomes completely possessed.


Final word: Evilspeak actually surprised me with how good it was. I was expecting one of these movies that looked really low budget, but Evilspeak actually surprised me with how good it looked. It was well shot and it had decent art direction for the type of budget they were working with, which was a whopping 1 million dollars. The film also delivers on the gore as well! Evilspeak has got to have some kind of a record as far as decapitations go. I mean, they really chop off a lot of heads on this flick! I had fun with this movie, it is a film that was influenced by a couple of films that came before it (mainly The Omen and Carrie) and but judging by how many films that came after Evilspeak are similar to it, I’d say Evilspeak has been a quite influential film on its own right. And hey, Anton Lavey, the founder of the 'Church of Satan' thought this film was a 'very Satanic' film so that says something about Evilspeak's satanic edge. Then again, he said the samething about The Devils Rain (1975), a laugh inducing satanic film if their ever was one.

Rating: 3 out of 5


Carrie (Special Edition)EvilspeakBrainscanDamien: Omen IIThe Devil's Rain976-EvilFear No EvilThe Exorcist (The Version You've Never Seen)

COMMENTS

Nama

'Final Girl',1,'Noughties films',1,'Sixth-Generation' Chinese filmmaking,1,[REC] 2 (2009),1,16 Ghost Movies to Enjoy on Halloween Night,1,16 Unusual Vampire Movies,1,1940s Hollywood,3,1995,1,1996,1,1999,1,20 Demon Movies,1,20 Werewolf Movies,1,2002,1,2003,1,2007,1,2008,1,2011,3,2012,2,2013 Movie List,5,2014,13,2014 Movies,11,2015,12,2016,29,2017,45,2018,1,23 More Oddities and Strange Creatures from Film Land,1,23 Oddest and Strangest Monsters of Filmland,1,35 Rhums,1,40 Memorable Movie Cars,1,720p,13,A Nightmare on Elm Street (2010),1,A Nightmare on Elm Street 2: Freddy's Revenge,1,A Simple Plan,1,Aaron Hillis,1,Abbas Kiarostami,2,Academy Awards,1,Academy of Motion Picture Arts and Sciences,1,Action,64,Action Films,4,Adam Curtis,1,Adoration,1,Adrian Martin,8,Adrien Brody,1,Adventure,34,Agnès Varda,3,Alain Cohen,1,Alden Ehrenreich,1,Alec Baldwin,1,Aleck Bovick,1,Alejandro Amenabar,1,Alejandro Amenábar,1,Alejandro Gonzalez Inarritu,1,Alejandro Jodorowsky,2,Álex de la Iglesia,1,Alfred Hitchcock,1,Ali Larter,1,Alice Braga,1,Alison Butler,1,Aliya Mortel,1,Allan Shiach,1,Allan Smithee,1,Alma Soriano,1,alphabet meme,1,Alternative DVD Commentaries,1,Amanda Bearse,1,Amanda Page,1,Amando Ossorio,1,Amy Adams,1,Ana Capri,1,André Bazin,1,André Habib,1,Andrea del Rosario,1,Andrew Garfield,1,Andrew Horton,1,Andrew McCarthy,1,Andrzej Zulawski,1,Angela Ortiz,1,Angela Velez,1,Angelina Jolie,1,Angels Poster Gallery,1,Angie Everhart,1,Animated Films,5,Animation,15,Anna Marie Gutierrez,1,Anne Helen Petersen,1,Anthony Hopkins,1,Anthony Minghella,1,Antichrist (2009),1,Antoine et Colette,1,Anton Walbrook,1,Anton Yelchin,1,Anya Soler,1,Ara Mina,5,Arnold Schwarzenegger,3,Art House Films,11,Artists' film and video,3,Atom Egoyan,3,Aubrey Miles,1,audience research,1,Audio Commentaries,1,auteurism,5,Avant-Garde and Experimental Cinema,3,Aya Medel,4,Barack Obama,1,Barbara Crampton,1,Barbara Milano,1,Barbara Stanwyck,1,Barbarella,1,Barry Lyndon (1975),1,Barry Sullivan,1,Barton Byg,1,BBC,1,Beau Travail,1,Béla Balázs,1,Bela Tarr,1,Belinda Bright,1,Ben Goldsmith,1,Benicio del Toro,1,Best scholarly blogs poll,3,Bette Davis,1,Beyond Rangoon (1995),1,Bill Hader,1,Biography,4,Biutiful (2010),1,Black Swan (2010),1,Blade Runner,1,blogathons,1,blogging,1,BluRay,6,Bollywood,2,book reviews,1,Book to Film Comparison,1,Box Office,2,Brad Dourif,1,Brad Pitt,1,Bret Easton Ellis,1,Brian Yuzna,1,Bridget Fonda,1,Brigitte Nielsen,1,British cinema,4,Bronson (2008),1,Bruce Robinson,1,Bruce Willis,1,Bruno Ganz,1,Buffy Studies,2,Burial Grounds: Nights of Terror (1981),1,Caligula (1979),1,Calls for Papers,1,Cameron Diaz,2,Canada,2,capturing stills from video,2,Carl Theodor Dreyer,1,Carla Gugino,1,Carol Clover,1,Caroline Munroe,1,cartoons,1,Category D,1,Catherine Breillat,1,Catherine Deneuve,2,Cecelia Condit,1,Chang Cheh,2,Charisma Carpenter,1,Charles Band,1,Charles Musser,1,Charlie Boorman,1,Charlie Sheen,1,Charlotte Gainsbourg,1,Cheech Marin,1,children's film and TV,1,Chinese cinema,1,Chistopher Plummer,1,Chiwetel Ejiofor,1,Chloe Sevigny,1,Chris Cagle,2,Chris Hemsworth,1,Chris Sarandon,1,Chris Tucker,1,Christian Bale,1,Christian Keathley,2,Christoph Waltz,1,Christopher Mintz Plasse,1,Christopher Nolan,1,Christopher Plummer,1,Christopher Sarandon,1,Chuck Russell,1,Chuck Tryon,1,Cinemalaya 2014,15,Cinematech,1,Cinephilia,1,cinetrix,1,Claire Denis,3,Classic,3,Claude Chabrol,3,Clint Eastwood,1,Clint Howard,2,Clio Barnard,1,Cloverfield,1,Coca Nicolas,1,Colin Farrell,1,Colin Firth,1,Collin Farrell,1,Comedy,61,Comedy Films,6,Conceptual Artwork for films that never got made,1,conference papers online,2,Cool Movie Weapons,1,Coppolas,1,copyright,5,Corey Feldman,2,courtesan film,1,credit sequences,1,Crime,20,crime films,1,Criselda Volks,2,Cristina Crisol,1,Cristina Gonzales,1,Dan Hedaya,1,Dan Jardine,1,Dan North,3,Dan O’Bannon,1,Danger: Diabolik (1968),1,Daniel Frampton,1,Danièle Huillet and Jean-Marie Straub,1,Daniella,1,Danny Boyle,1,Danny McBride,1,Danny Trejo,2,Dante Tomaselli,1,Dardenne brothers,1,Dark House (2010),1,Dark Star (1974),1,Darren Aronofsky,1,David Attenborough,1,David Bordwell,6,David Bowie,1,David Cronenberg,3,David Gordon Green,1,David Hasselhoff,1,David Hudson,1,David Lynch,2,David O. Russell,1,David Sorfa,1,David Sterritt,1,David Tenant,1,David Trotter,1,Dean Devlin,1,Dennis Miller,1,Diana Ross,1,Diana Zubiri,4,Diane Salinger,1,Diasporic Film,1,Dina Iordanova,2,Dindi Gallardo,2,Dinner for Schmucks (2010),1,Director's Cut,1,Directors' Notes,1,Divina Gracia,1,documentary filmmaking,5,documentary resources,8,Dolph Lungdren,1,Don Omar,1,Donald Pleasance,1,Donald Richie,2,Douglas Sirk,1,Drama,127,Drama Films,28,du_01.34,1,du_01.41,1,du_1.14,1,du_1.21,1,du_1.26,1,du_1.33,1,du_1.34,1,du_1.44,1,du_1.56,1,du_2.03,1,du_2.06,1,du_2.15,1,du_2.47,1,Dwayne Johnson,1,e-books,9,e-journals,12,early and silent cinema,1,Ed Howard,2,Edit Room,1,Edward Furlong,1,Eija-Liisa Ahtila,2,Eleanor Coppola,1,Elias Koteas,1,Eliseo Subiela,1,Elliot Silverstein,1,Elmore Leonard,1,Elsa Pataki,1,Emeric Pressburger,1,Emily Blunt,1,Emily Browning,1,Emmanuelle Beart,1,Enter the Void (2010),1,Enzo Staiola,1,Eric Faden,1,Erich Auerbach,1,Erich Kuersten,1,Erika Eleniak,1,Ernie Reyes Jr.,1,Eurocentrism,1,European cinema,2,European Graduate School,1,Eve Kosofsky Sedgwick,1,Evilspeak (1981),1,exilic cinema,1,Expanded Cinema,2,Eyes Wide Shut (1999),1,Fabrice Du Welz,1,Failed Franchises,1,fair dealing,1,fair use,7,Family,4,fan studies,1,Fantasy,17,Fantasy Films,4,Farrah Fawcett,1,Fast Five (2011),2,Faye Wong,1,Federico Fellini,1,feminist film studies,3,Fernando Meirelles,1,film adaptation,1,film and literature,1,Film and Philosophy,1,film authorship theory,3,film co-production,1,film criticism,5,film directing,2,film directors,2,film endings,1,film festivals,2,film historiography,1,film history,3,film melodrama,1,film music,6,film pedagogy,8,film philosophy,1,Film practice as research,5,film programming,1,film protagonist,1,Film Quarterly,1,film research by practice,3,film sets,1,film sound,1,film spectatorship,1,film studies,2,film studies blogs,4,film studies publishing,2,film technique,1,film technology,1,film theory,2,film-industry studies,1,Filmmakers' Websites Of Note,1,Filmosophy,1,Films about Films,3,Fire and Ice (1983),1,first post,1,Five Element Ninjas (1982),1,Flickhead,1,Flow,1,For Ever Godard,1,Foreighn Movies,1,Forum,1,FPJ Movies,3,frame grabs,2,Frances McDormand,1,Francine Prieto,3,Francis Ford Coppola,1,François Ozon,1,François Truffaut,1,Frank Frazetta,1,Fred Dekker,1,free film downloads,4,Free Online Films,7,French cinema,3,French New Wave,4,Fright Night (1985),1,Fright Night (2011),1,Fritz Lang,2,FSFF Video Essays,1,full disclosure,1,Gael Garcia Bernal,1,Galaxy of Terror (1981),1,Gary Hall,1,Gary Sinise,1,Gaspar Noe,2,gay films,1,Gay Movie,1,gender studies,2,Gene Hackman,1,Gene Youngblood,1,Geoffrey Kantaris,1,Geoffrey Rush,2,George A. Romero,2,George Clooney,1,George Lucas,1,George Nolfi,1,German Cinema,2,German film,2,Germany,1,Ghost in the Shell (1995),1,Ghost Movies,1,Giorgio Agamben,1,Giovanni Arrighi,1,Girish,1,global film blogging,1,Glydel Mercado,2,Godzilla Films,6,Godzilla vs. King Ghidorah (1991),1,Godzilla vs. Mothra: The Battle for Earth (1992),1,Godzilla: Final Wars (2004),1,Gojira (1954),1,Gordon Liu,1,Grace Zabriskie,1,graduate film and media studies journals,5,graphic design,1,Greg Mottola,1,Guerilla (2009),1,Guillermo del Toro,1,Gus Van Sant,1,Guy Pearce,1,Gwen Garci,3,Haline Perez,2,Harold Pinter,1,Harrison Ford,1,Harry Tuttle,2,Harun Farocki,1,Hazel Cabrera,1,Heath Ledger,1,Heaven and Earth (1993),1,Helen Mirren,1,Helena Bonham Carter,1,Hellbound: Hellraiser II (1988),1,Hellraiser Series,1,Henry Jenkins,2,Hindi cinema,1,History,5,Hito Steyerl,1,Holiday Greetings 2010,1,Hollywood,8,Holocaust on film,1,Horor,5,Horror,20,Horror Cinema,2,horror television,2,House of the Devil (2010),1,Howard Hawks,2,I Screen Studies,1,I Stand Alone (1998),1,I Vitelloni (1953),1,Ian Mc Shane,1,If… (1968),1,Ilonah Marquez,1,Imogen Poots,1,implied authorship,1,Ina Raymundo,2,India,1,Indian cinema,1,IndianAuteur,1,Indie Films,11,Individual Authors' Online Film Studies Writing,1,Individual Authors' Online Writing Of Note,2,Indonesia,9,Ingmar Bergman,2,intellectual property rights,1,Internet Archive,4,Introduction to Film Studies,1,introduction to television studies,1,Intute,1,Invasion of the Astro-Monster (1965),1,Isabelle Adjani,2,Ishiro Honda,2,It's a Wonderful Life,1,Italian Horror Films,2,Italian Rip Offs Poster Gallery,1,Jack Sholder,1,Jackie Brown (1997),1,Jackie Chan,1,Jackie Earle Haley,1,Jacques Rancière,1,Jaden Smith,1,James Brolin,1,James Cameron,1,James Franco,1,James Mangold,1,James Spader,1,James Woods,1,Jami Gertz,1,Jan De Bont,1,Jan Leyda,1,Jan Švankmajer,1,Japan,1,Japanese Animation Films,3,Jason Bateman,1,Jason Behr,1,Jason Isaac,1,Jason Martin Scott,1,Jason Mittell,2,Jason Sperb,1,Jason Statham,1,Jaume Balaguer,1,Javier Bardem,1,Jay Chou,1,Jaycee Parker,1,JC Parker,1,Jean Baudrillard,1,Jean Vigo,1,Jean-Luc Godard,3,Jean-Luc Nancy,1,Jeff Bridges,2,Jeff Fahey,1,Jeffrey Combs,3,Jena Malone,1,Jennifer E. Langdon,1,Jennifer Lee,1,Jepang,1,Jeremy Butler,1,Jessica Alba,1,Jessica Chastain,1,Jet Li,1,JFK (1991),1,Jim Emerson,2,Jimmy Wang Yu,1,Joan Copjec,1,Joanne Woodward,1,Joao Ribas,1,Joe Spinnell,1,Joe Versus The Volcano (1990),1,John Akomfrah,1,John Astin,2,John Boorman,2,John Carpenter,2,John Cassavetes,1,John de Bello,2,John Fasano,1,John Gielgud,1,John Kassir,1,John M Frame,1,John Patrick Shanley,1,John Phillip Law,1,John Waters,1,Johnny Depp,2,Jon Beasley-Murray,1,Jonathan Rosenbaum,5,Jordana Brester,1,Jörg Lemberg,1,Josef von Sternberg,1,Joyce Jimenez,1,Jude Law,1,Judy Garland,1,Julia Lesage,1,Juliana Palermo,1,Juliette Lewis,1,Jump Cut,1,Justin Lin,1,Justin Theroux,1,Kamal Amrohi,1,Kant Miss Kung Fu Klassics,5,Karate Kid (2010),1,Karen Allen,1,Karla Estrada,1,Kat De Santos,2,Kat Dennings,1,Kate Winslet,1,Katrina Paula,4,Katsuhiro Otomo,1,Katya Santos,3,Keith David,1,Ken Adam James Bond films,1,Ken Foree,1,Kenneth Branagh,1,Kevin B. Lee,3,Kevin B. Lee,8,Kevin Dillon,1,Killer Tomatoes Strike Back (1991),1,Kim Akass and Janet McCabe,1,Kimberley Lindbergs,1,Knight and Day (2010),1,Komedi,1,Korea,3,Krista Ranillo,1,Kristen Wiig,1,Kristin Thompson,2,ku_HD,13,Kuhdet Honasan,1,Kuhu Tanvir,1,L. Frank Baum,1,Lamberto Maggiorani,1,Lance Henriksen,2,Lars Von Trier,1,Laserblast (1978),1,Latin America,4,Latin American film studies,2,Laura Mulvey,1,Laurence Fishburne,1,Lawrence Lessig,1,Lee Strasberg,1,legal downloads,1,Leon Vitali,1,Leonardo DiCaprio,2,Les Maitres Du Temps,1,lesbian films,1,Less Than Zero (1987),1,Letter from an Unknown Woman,1,lgbt films,1,Lianella Carell,1,Lieve Schreiber,1,Lilly Cole,1,Lindsay Anderson,1,Lloyd Bridges,1,Logan's Run (1976),1,London Film Festival,1,Lost Boys: The Tribe (2010),1,Lost film-websites,1,Lou Ye,1,Lucia Legarda,1,Lucrecia Martel,2,Ludacris,1,Luigi Cozzi,1,Luis Buñuel,3,Luke McKernan,4,M,1,M. Night Shyamalan,1,Machete (2010),1,Mads Mikkelsen,1,magic on film,1,Makhmalbafs,1,Malcolm McDowell,2,Mamoru Oshii,1,Manohla Dargis,1,Mara Lopez,1,Maria Isabel Lopez,1,María Luisa Bemberg,1,Maribel Verdu,1,Maricar de Mesa,1,Marilyn Chambers,1,Mario Bava,2,Mario Benedetti,1,Marisa Berenson,1,Marisa Mell,1,Marius Goring,1,Mark Patton,1,Mark Wahlberg,1,Martha Plimpton,1,Martin Scorsese,2,Master of the Flying Guillotine (1975),1,Matt Damon,1,Matt Zoller Seitz,4,Maui Taylor,3,Maye Tongco,1,Meaghan Morris,1,media studies,1,MediaCommons,1,Meena Kumari,1,Meg Foster,1,Meg Ryan,1,Melissa Leo,1,Memorable Horror Movie Posters,1,Memorable Movie Robots Part 2,1,Memorable Movie Robots Part I,1,Mercedes Cabral,2,Michael Anderson,1,Michael Caine,1,Michael Chanan,1,Michael Ende,1,Michael Haneke,2,Michael J Anderson,2,Michael Jackson,1,Michael Keaton,1,Michael Moore,1,Michael Powell,2,Michael Rooker,1,Michael Shannon,1,Michael Wincott,1,Michael York,1,Michel Laclos,1,Michelle Aldana,1,Michelle Estevez,1,Michelle Rodriguez,1,Mickey Mouse,1,Mickey Rourke,1,Mike Marvin,1,Mila Kunis,1,Milla Jovovich,1,Mira Nair,1,Miriam Makeba,1,Mistery,11,Miya Nolasco,1,MMFF Entries,3,Moira Shearer,1,Moments of Choice,1,Monica Keena,1,Monster Blog Post,2,Monster Film,1,Monster Films,2,Movie poster typefaces,1,Moving Image Source,1,Museum of the Moving Image,1,music video,1,Musical,3,My Son My Son What Have Ye Done (2009),1,Myles Hernandez,1,Myra Manibog,2,Mystery,3,Natalie Portman,3,Natural Born Killers (1994),1,natural history film,1,Nazism on film,1,New German Cinema,1,new media studies,1,Nicholas Rombes,1,Nick Cassavetes,1,Nick Davis,1,Nick Frost,1,Nicolas Roeg,1,Nicolas Winding Refn,2,Nicole Brenez,1,Nicole Kidman,2,Night of the Demons (1988),1,Night of the Demons (2009),1,Nika Madrid,3,Nimrod Antal,1,Nina Paley,1,Nini Jacinto,1,Nöel Burch,1,Norma Bengell,1,Ntongela Masilela,1,Oliver Postgate,1,Oliver Stone,8,online searches,1,Online Training,1,Only the Cinema,1,Open Access,8,Open Library,1,opening sequences,1,Original vs. Remake,1,Orson Welles,1,Oscars,2,Ossie Davis,1,Other Voices,1,Paco Plaza,1,Pakeezah,1,Pam Cook,1,Pamela Grier,1,Pan's Labyrinth,1,Paprika (2006),1,Parasomnia (2010),1,paratextuality of films,1,Participations,1,participatory culture,1,Patricia Arquette,1,Patricia Aufderheide,1,Patricia Javier,4,Patricia Rozema,1,Patrick Keiller,1,Patrick Kilpatrick,1,Paul (2011),1,Paul Bowman,1,Paul Dano,1,Paul Julian Smith,1,Paul McGann,1,Paul Naschy,1,Paul Newman,1,Paul Ricoeur,1,Paul W.S. Anderson,1,Paul Walker,1,Paula Gomez,1,Pedro Almodóvar,2,peer-reviewing,1,Penelope Cruz,1,Pepsi Paloma,1,Peter Falk,1,Peter Firmin,1,Peter Greenaway,1,Peter O Toole,1,Peter Weir,1,Phil Fondacaro,1,Phillip K. Dick,1,Phillip Noyce,1,philosophy and film,1,Piel Morena,1,Pinewood Dialogues,1,Pirate Philosophy,1,Pirates of the Caribbean,1,Pirates of the Caribbean: On Stranger Tides (2011),1,Planet of the Vampires (1965),1,Podcasts,6,politics,3,popular,2,popular film and television,1,Possession (1981),1,Post Apocalyptic Films,2,postcolonialism,1,Poster Galleries,2,Powers Boothe,1,
ltr
item
movieholic: Evilspeak (1981)
Evilspeak (1981)
http://i21.photobucket.com/albums/b300/spacemonkey_fg/Blog%20Pictures%20II/Evil1.jpg
http://i21.photobucket.com/albums/b300/spacemonkey_fg/Blog%20Pictures%20II/th_Evil1.jpg
movieholic
https://movieholic002.blogspot.com/2011/03/evilspeak-1981.html
https://movieholic002.blogspot.com/
http://movieholic002.blogspot.com/
http://movieholic002.blogspot.com/2011/03/evilspeak-1981.html
true
2561849497115890377
UTF-8
Loaded All Posts Not found any posts VIEW ALL Readmore Reply Cancel reply Delete By Home PAGES POSTS View All RECOMMENDED FOR YOU LABEL ARCHIVE SEARCH ALL POSTS Not found any post match with your request Back Home Sunday Monday Tuesday Wednesday Thursday Friday Saturday Sun Mon Tue Wed Thu Fri Sat January February March April May June July August September October November December Jan Feb Mar Apr May Jun Jul Aug Sep Oct Nov Dec just now 1 minute ago $$1$$ minutes ago 1 hour ago $$1$$ hours ago Yesterday $$1$$ days ago $$1$$ weeks ago more than 5 weeks ago Followers Follow THIS CONTENT IS PREMIUM Please share to unlock Copy All Code Select All Code All codes were copied to your clipboard Can not copy the codes / texts, please press [CTRL]+[C] (or CMD+C with Mac) to copy