The Blob (1988)

Title: The Blob (1988) Director: Chuck Russell Cast: Kevin Dillon, Shawnee Smith Review: Back when I was 12 years old I was really into r...



Title: The Blob (1988)

Director: Chuck Russell

Cast: Kevin Dillon, Shawnee Smith

Review:

Back when I was 12 years old I was really into reading movie novelizations. For those not in the know, movie novelizations come to be when a studio hires a writer to write a novel based on a films script. Usually, the novelization is released months before the actual release of the film, in this way, the film makes a little money off of the film even before it is released. Now when I was reading novelizations, it was a time when I was discovering just how much I could enjoy reading a book for pure pleasure. Novelizations aren’t necessarily considered the highest form of literature, on the contrary, they are considered the ‘bottom rung’ of literature, low brow entertainment; but to a fertile 12 year old mind like mine, they were awesome! Coolest part is that these little novelizations were released a month or two before the actual film was released, so I thought it was just fantastic to be able to read a film before anyone had even seen it. This was a time before internet, so reading novelizations was a way of knowing what a film was about even before it came out and for that reason alone, it was a special thrill for me to read these novels. The novelization for the 1988 remake of The Blob was one of the first few novels I read because I actually wanted to read it, not because I had to for homework. It was through this little novelization that I discovered the wonderful world of science fiction novels! They took my fertile imagination to previously unimagined places! From then on, I was hooked on sci-fi! To this day I still read science fiction novels, I am currently exploring the DUNE novels, I have made it to the fourth one so far! I’ve stopped reading movie novelizations since then (I find them too redundant) but I thank those novelizations for opening the doors to other forms of literature, and to the joys of reading a good science fiction novel.

This is the novelization that started me off on sci-fi when I was a kid

When I finally got around to seeing The Blob (1988), I was thrilled to see the film I had read come to life on the silver screen. Did the film live up to what I had imagined? It sure did! This movie did not disappoint! The Blob begins in typical sci-fi movie fashion: a meteor containing a parasitic living organism falls to earth. At first, the organism is no bigger then a basketball, but as it continues feeding, it gets bigger and bigger, until by the end of the film the pink and slimy Blob is as big as a mountain! The first person to encounter The Blob is a curious homeless person who decides to investigate the meteors crash site. Unfortunately for him The Blob decides to jump out of the meteor and adheres itself to the homeless mans hand! It then begins to feed on it! Then, as the homeless guy runs scared onto the road, a couple of teenagers accidentally run him down with their car! They don’t realize that the Blob is attached to the homeless man’s hand so they take him to the local hospital to be taken care of. The Blob ends up eating the old man and one of the teenagers in the hospital! Soon after that The Blob escapes the hospital and begins to roam free through the little town of Arborville looking for more humans to devour! Will anyone believe the teenagers before it’s too late?


Let’s get right to the point, what I loved the most about this movie were the make up effects. After The Blob starts slithering around town feeding on people, this movie is a non stop roller coaster ride of gore and gooeyness! Every single death in the film is its own gruesome spectacle. Want to see what a guy looks like when The Blob sucks his entire body down a kitchen sink? Look no further! How about seeing the Blob devour an entire audience inside of a movie theater? Or how about watching The Blob swatting humans like they were flies? Or maybe you’d be interested in seeing bodies dissolve inside The Blob’s slimy mass? It’s all here to titillate your desire for gruesomeness! Only a film from the 80’s could have this much slimy gory fun in it. And damn it, this movie made me miss the good old days when CGI was not king. In fact, in fact CGI was nothing more then a zygote in the belly of cinema! By that time, CGI had only been used in films like TRON (1982), Young Sherlock Holmes (1985), Flight of the Navigator (1986), The Last Starfighter (1984) and Willow (1988). Because of this absence of CGI, the effects in The Blob have a tangibility to them, they look organic, alive. An effect that I doubt could have been achieved as effectively with CGI. A friend of mine said it best while watching this one “they just don’t make them like this anymore!” Everyone was commenting how much they missed films from this era of filmmaking.


There is not much in the way of themes with this movie, this more of a straight forward monster movie. There were no pretentions here of making a deep film, this is just a film about a monster making its way through a small towns population. And speaking of small towns, the fact that this film takes place in a small town U.S.A. is what makes this film so eighties. For some reason, many movies from that era took place in the suburbs, or in a small town where everyone knows each other. Movies like Gremlins (1984), Explorers (1985), E.T. (1982), The Goonies (1985), Killer Klowns from Outerspace (1988), where films where cops are nice guys who used to be somebody’s boyfriend, where the sheriff is this ultra sweet dude, and there’s always a homey diner where the waitresses are like moms. You know the kind; these are films where the town treats each other like family and when impending doom comes along, the face it together! By the way, the whole diner sequence where the blob comes out of the kitchen sink was completely stolen by the guys who made Alien Vs. Predator: Requiem (2008). That film copy pasted a lot from many other films and one of those films it stole heavily from was this remake of The Blob! There’s a whole scene in AvP:Requiem which takes place in a diner that plays out exactly the same way it did in The Blob. Just switch The Blob for an Alien and you’ll see what I mean. Then again, do yourself a favor and skip AvP: Requiem, it’s a really sucky movie anyways.


Performance wise this movie did pretty good. Kevin Dillon plays Brian Flagg, the rebel without a clue who dresses like James Dean and wears his hair like Paul Stanley from KISS. He has some of the funniest lines on the whole damn movie. For example, at one point Shawnee Smith, who plays Meg Penny wants to hide from The Blob in a building and she tries to open the door, but realizes it is locked. Brian Flagg’s answer? “That’s okay, I have the key!” and he throws a brick to the glass door! Hilarious! Another scene that had me cracking up was when Flagg is taken to the police station because he is blamed for the homeless mans murder. He tells the cops he wants to leave because he has done nothing wrong and that either way, he wants these cops out of his face! Then, one of the cops gets close to his face and says something like “this close enough for ya?” and then Flagg proceeds to lick the cops face in total disrespect of authority! Flagg’s lines are the funniest! Shawnee Smith plays the quintessential 80’s daddies girl. She seems total innocent and naïve, but when her family and town is threatened by The Blob, she grows a pair and kicks some ass! Along with Sigourney Weaver in Alien (1986), Shawnee Smith in The Blob is one of those cinematic babes that kicks butt and takes names. Another performance I enjoyed was Del Close's 'Reverend Meeker'. I like the world play on that name, it refers to the bibles teachings about the meek inheriting the earth. On this film Reverend Meeker belives that The Blob is part of Gods Day of Reckoning and that somehow, the slimy creature is part of the fulfillment of bible prophecies! He’s character is played like a religious fanatic gone mad, I loved it. Plus, the character forms a cool part of the films creepy cliffhanger ending, gotta love those cliffhanger endings! Bill Mosley has a blink or you’ll miss it cameo in this movie as a paranoid member of the CDC.


Now, speaking of the creative team behind this flick; The Blob was directed by Chuck Russell a director who’s also responsible for my favorite entry in the Nightmare on Elm Street films: Dream Warriors (1987). He also made The Mask (1994) with Jim Carrey. Chuck Russell as a director was on a roll for a while, he even made Eraser (1996) with Arnold Schwarznegger, which isn’t Arnies best film, but it isn’t his worst either. Sadly, the guy hasn’t made anything worth watching since those days, unless you liked Bless the Child (2000). The screenplay for this remake was a collaboration of many writers. Two writers did early screenplays, but the final script, the one that they used for shooting the film was written by both Chuck Russell and Frank Darabont, so I guess in total, this film had four writers. Darabont’s one of my favorite directors, he knows a thing or two about what makes a good horror film, or just a good film period. He wrote and directed The Mist which was my favorite horror film of 2007. He also wrote the screenplay for The Fly II (1989), which to me is a great sequel to Cronenberg’s 1986 remake. He had collaborated before with Chuck Russell in Dream Warriors, on that project they both worked the same way they worked on The Blob, Darabont wrote the script, and Russell directed. So it’s good to know we have a solid creative team behind this film.


Finaly words about The Blob: this movie is pure fun from beginning to end. It wont bore you because every five seconds there’s some sort of slimy gory death going on. I consider this remake as one of the good ones, along with remakes like John Carpenter’s The Thing (1982), The Fly (1986) and Zack Snyder’s Dawn of the Dead (2004) this is a remake that both brings something new to the table, and at the same time improves on the originals flaws. The make up effects are very imaginative and numerous, once The Blob is on the role, the movie is non stop till the end. Sadly, this movie wasn’t a huge hit. It cost 19 million dollars to make, and it didn’t make as much in theaters, sadly. But as it often happens with good movies (and this is a good movie within its genre) this film later discovered its audience on VHS and DVD. Look for reviews of this one on the internet, and more often then not they will be positive ones. Bad part about this movie not making much bank at the box office is that we never saw the sequel that was promised with the films cliffhanger ending. Bummer. A couple of years ago Rob Zombie was interested in making a remake of this film, and I got excited about that, unfortunately, the project still lingers in development hell. But we still got the film on dvd to watch and enjoy, so if you haven’t seen it yet, and your feeling like watching an effects filled monster movie, with funny dialog and cool deaths, look no further than The Blob.

Rating: 4 out of 5

COMMENTS

Nama

'Final Girl',1,'Noughties films',1,'Sixth-Generation' Chinese filmmaking,1,[REC] 2 (2009),1,16 Ghost Movies to Enjoy on Halloween Night,1,16 Unusual Vampire Movies,1,1940s Hollywood,3,1995,1,1996,1,1999,1,20 Demon Movies,1,20 Werewolf Movies,1,2002,1,2003,1,2007,1,2008,1,2011,3,2012,2,2013 Movie List,5,2014,13,2014 Movies,11,2015,12,2016,29,2017,45,2018,1,23 More Oddities and Strange Creatures from Film Land,1,23 Oddest and Strangest Monsters of Filmland,1,35 Rhums,1,40 Memorable Movie Cars,1,720p,13,A Nightmare on Elm Street (2010),1,A Nightmare on Elm Street 2: Freddy's Revenge,1,A Simple Plan,1,Aaron Hillis,1,Abbas Kiarostami,2,Academy Awards,1,Academy of Motion Picture Arts and Sciences,1,Action,64,Action Films,4,Adam Curtis,1,Adoration,1,Adrian Martin,8,Adrien Brody,1,Adventure,34,Agnès Varda,3,Alain Cohen,1,Alden Ehrenreich,1,Alec Baldwin,1,Aleck Bovick,1,Alejandro Amenabar,1,Alejandro Amenábar,1,Alejandro Gonzalez Inarritu,1,Alejandro Jodorowsky,2,Álex de la Iglesia,1,Alfred Hitchcock,1,Ali Larter,1,Alice Braga,1,Alison Butler,1,Aliya Mortel,1,Allan Shiach,1,Allan Smithee,1,Alma Soriano,1,alphabet meme,1,Alternative DVD Commentaries,1,Amanda Bearse,1,Amanda Page,1,Amando Ossorio,1,Amy Adams,1,Ana Capri,1,André Bazin,1,André Habib,1,Andrea del Rosario,1,Andrew Garfield,1,Andrew Horton,1,Andrew McCarthy,1,Andrzej Zulawski,1,Angela Ortiz,1,Angela Velez,1,Angelina Jolie,1,Angels Poster Gallery,1,Angie Everhart,1,Animated Films,5,Animation,15,Anna Marie Gutierrez,1,Anne Helen Petersen,1,Anthony Hopkins,1,Anthony Minghella,1,Antichrist (2009),1,Antoine et Colette,1,Anton Walbrook,1,Anton Yelchin,1,Anya Soler,1,Ara Mina,5,Arnold Schwarzenegger,3,Art House Films,11,Artists' film and video,3,Atom Egoyan,3,Aubrey Miles,1,audience research,1,Audio Commentaries,1,auteurism,5,Avant-Garde and Experimental Cinema,3,Aya Medel,4,Barack Obama,1,Barbara Crampton,1,Barbara Milano,1,Barbara Stanwyck,1,Barbarella,1,Barry Lyndon (1975),1,Barry Sullivan,1,Barton Byg,1,BBC,1,Beau Travail,1,Béla Balázs,1,Bela Tarr,1,Belinda Bright,1,Ben Goldsmith,1,Benicio del Toro,1,Best scholarly blogs poll,3,Bette Davis,1,Beyond Rangoon (1995),1,Bill Hader,1,Biography,4,Biutiful (2010),1,Black Swan (2010),1,Blade Runner,1,blogathons,1,blogging,1,BluRay,6,Bollywood,2,book reviews,1,Book to Film Comparison,1,Box Office,2,Brad Dourif,1,Brad Pitt,1,Bret Easton Ellis,1,Brian Yuzna,1,Bridget Fonda,1,Brigitte Nielsen,1,British cinema,4,Bronson (2008),1,Bruce Robinson,1,Bruce Willis,1,Bruno Ganz,1,Buffy Studies,2,Burial Grounds: Nights of Terror (1981),1,Caligula (1979),1,Calls for Papers,1,Cameron Diaz,2,Canada,2,capturing stills from video,2,Carl Theodor Dreyer,1,Carla Gugino,1,Carol Clover,1,Caroline Munroe,1,cartoons,1,Category D,1,Catherine Breillat,1,Catherine Deneuve,2,Cecelia Condit,1,Chang Cheh,2,Charisma Carpenter,1,Charles Band,1,Charles Musser,1,Charlie Boorman,1,Charlie Sheen,1,Charlotte Gainsbourg,1,Cheech Marin,1,children's film and TV,1,Chinese cinema,1,Chistopher Plummer,1,Chiwetel Ejiofor,1,Chloe Sevigny,1,Chris Cagle,2,Chris Hemsworth,1,Chris Sarandon,1,Chris Tucker,1,Christian Bale,1,Christian Keathley,2,Christoph Waltz,1,Christopher Mintz Plasse,1,Christopher Nolan,1,Christopher Plummer,1,Christopher Sarandon,1,Chuck Russell,1,Chuck Tryon,1,Cinemalaya 2014,15,Cinematech,1,Cinephilia,1,cinetrix,1,Claire Denis,3,Classic,3,Claude Chabrol,3,Clint Eastwood,1,Clint Howard,2,Clio Barnard,1,Cloverfield,1,Coca Nicolas,1,Colin Farrell,1,Colin Firth,1,Collin Farrell,1,Comedy,61,Comedy Films,6,Conceptual Artwork for films that never got made,1,conference papers online,2,Cool Movie Weapons,1,Coppolas,1,copyright,5,Corey Feldman,2,courtesan film,1,credit sequences,1,Crime,20,crime films,1,Criselda Volks,2,Cristina Crisol,1,Cristina Gonzales,1,Dan Hedaya,1,Dan Jardine,1,Dan North,3,Dan O’Bannon,1,Danger: Diabolik (1968),1,Daniel Frampton,1,Danièle Huillet and Jean-Marie Straub,1,Daniella,1,Danny Boyle,1,Danny McBride,1,Danny Trejo,2,Dante Tomaselli,1,Dardenne brothers,1,Dark House (2010),1,Dark Star (1974),1,Darren Aronofsky,1,David Attenborough,1,David Bordwell,6,David Bowie,1,David Cronenberg,3,David Gordon Green,1,David Hasselhoff,1,David Hudson,1,David Lynch,2,David O. Russell,1,David Sorfa,1,David Sterritt,1,David Tenant,1,David Trotter,1,Dean Devlin,1,Dennis Miller,1,Diana Ross,1,Diana Zubiri,4,Diane Salinger,1,Diasporic Film,1,Dina Iordanova,2,Dindi Gallardo,2,Dinner for Schmucks (2010),1,Director's Cut,1,Directors' Notes,1,Divina Gracia,1,documentary filmmaking,5,documentary resources,8,Dolph Lungdren,1,Don Omar,1,Donald Pleasance,1,Donald Richie,2,Douglas Sirk,1,Drama,127,Drama Films,28,du_01.34,1,du_01.41,1,du_1.14,1,du_1.21,1,du_1.26,1,du_1.33,1,du_1.34,1,du_1.44,1,du_1.56,1,du_2.03,1,du_2.06,1,du_2.15,1,du_2.47,1,Dwayne Johnson,1,e-books,9,e-journals,12,early and silent cinema,1,Ed Howard,2,Edit Room,1,Edward Furlong,1,Eija-Liisa Ahtila,2,Eleanor Coppola,1,Elias Koteas,1,Eliseo Subiela,1,Elliot Silverstein,1,Elmore Leonard,1,Elsa Pataki,1,Emeric Pressburger,1,Emily Blunt,1,Emily Browning,1,Emmanuelle Beart,1,Enter the Void (2010),1,Enzo Staiola,1,Eric Faden,1,Erich Auerbach,1,Erich Kuersten,1,Erika Eleniak,1,Ernie Reyes Jr.,1,Eurocentrism,1,European cinema,2,European Graduate School,1,Eve Kosofsky Sedgwick,1,Evilspeak (1981),1,exilic cinema,1,Expanded Cinema,2,Eyes Wide Shut (1999),1,Fabrice Du Welz,1,Failed Franchises,1,fair dealing,1,fair use,7,Family,4,fan studies,1,Fantasy,17,Fantasy Films,4,Farrah Fawcett,1,Fast Five (2011),2,Faye Wong,1,Federico Fellini,1,feminist film studies,3,Fernando Meirelles,1,film adaptation,1,film and literature,1,Film and Philosophy,1,film authorship theory,3,film co-production,1,film criticism,5,film directing,2,film directors,2,film endings,1,film festivals,2,film historiography,1,film history,3,film melodrama,1,film music,6,film pedagogy,8,film philosophy,1,Film practice as research,5,film programming,1,film protagonist,1,Film Quarterly,1,film research by practice,3,film sets,1,film sound,1,film spectatorship,1,film studies,2,film studies blogs,4,film studies publishing,2,film technique,1,film technology,1,film theory,2,film-industry studies,1,Filmmakers' Websites Of Note,1,Filmosophy,1,Films about Films,3,Fire and Ice (1983),1,first post,1,Five Element Ninjas (1982),1,Flickhead,1,Flow,1,For Ever Godard,1,Foreighn Movies,1,Forum,1,FPJ Movies,3,frame grabs,2,Frances McDormand,1,Francine Prieto,3,Francis Ford Coppola,1,François Ozon,1,François Truffaut,1,Frank Frazetta,1,Fred Dekker,1,free film downloads,4,Free Online Films,7,French cinema,3,French New Wave,4,Fright Night (1985),1,Fright Night (2011),1,Fritz Lang,2,FSFF Video Essays,1,full disclosure,1,Gael Garcia Bernal,1,Galaxy of Terror (1981),1,Gary Hall,1,Gary Sinise,1,Gaspar Noe,2,gay films,1,Gay Movie,1,gender studies,2,Gene Hackman,1,Gene Youngblood,1,Geoffrey Kantaris,1,Geoffrey Rush,2,George A. Romero,2,George Clooney,1,George Lucas,1,George Nolfi,1,German Cinema,2,German film,2,Germany,1,Ghost in the Shell (1995),1,Ghost Movies,1,Giorgio Agamben,1,Giovanni Arrighi,1,Girish,1,global film blogging,1,Glydel Mercado,2,Godzilla Films,6,Godzilla vs. King Ghidorah (1991),1,Godzilla vs. Mothra: The Battle for Earth (1992),1,Godzilla: Final Wars (2004),1,Gojira (1954),1,Gordon Liu,1,Grace Zabriskie,1,graduate film and media studies journals,5,graphic design,1,Greg Mottola,1,Guerilla (2009),1,Guillermo del Toro,1,Gus Van Sant,1,Guy Pearce,1,Gwen Garci,3,Haline Perez,2,Harold Pinter,1,Harrison Ford,1,Harry Tuttle,2,Harun Farocki,1,Hazel Cabrera,1,Heath Ledger,1,Heaven and Earth (1993),1,Helen Mirren,1,Helena Bonham Carter,1,Hellbound: Hellraiser II (1988),1,Hellraiser Series,1,Henry Jenkins,2,Hindi cinema,1,History,5,Hito Steyerl,1,Holiday Greetings 2010,1,Hollywood,8,Holocaust on film,1,Horor,5,Horror,20,Horror Cinema,2,horror television,2,House of the Devil (2010),1,Howard Hawks,2,I Screen Studies,1,I Stand Alone (1998),1,I Vitelloni (1953),1,Ian Mc Shane,1,If… (1968),1,Ilonah Marquez,1,Imogen Poots,1,implied authorship,1,Ina Raymundo,2,India,1,Indian cinema,1,IndianAuteur,1,Indie Films,11,Individual Authors' Online Film Studies Writing,1,Individual Authors' Online Writing Of Note,2,Indonesia,9,Ingmar Bergman,2,intellectual property rights,1,Internet Archive,4,Introduction to Film Studies,1,introduction to television studies,1,Intute,1,Invasion of the Astro-Monster (1965),1,Isabelle Adjani,2,Ishiro Honda,2,It's a Wonderful Life,1,Italian Horror Films,2,Italian Rip Offs Poster Gallery,1,Jack Sholder,1,Jackie Brown (1997),1,Jackie Chan,1,Jackie Earle Haley,1,Jacques Rancière,1,Jaden Smith,1,James Brolin,1,James Cameron,1,James Franco,1,James Mangold,1,James Spader,1,James Woods,1,Jami Gertz,1,Jan De Bont,1,Jan Leyda,1,Jan Švankmajer,1,Japan,1,Japanese Animation Films,3,Jason Bateman,1,Jason Behr,1,Jason Isaac,1,Jason Martin Scott,1,Jason Mittell,2,Jason Sperb,1,Jason Statham,1,Jaume Balaguer,1,Javier Bardem,1,Jay Chou,1,Jaycee Parker,1,JC Parker,1,Jean Baudrillard,1,Jean Vigo,1,Jean-Luc Godard,3,Jean-Luc Nancy,1,Jeff Bridges,2,Jeff Fahey,1,Jeffrey Combs,3,Jena Malone,1,Jennifer E. Langdon,1,Jennifer Lee,1,Jepang,1,Jeremy Butler,1,Jessica Alba,1,Jessica Chastain,1,Jet Li,1,JFK (1991),1,Jim Emerson,2,Jimmy Wang Yu,1,Joan Copjec,1,Joanne Woodward,1,Joao Ribas,1,Joe Spinnell,1,Joe Versus The Volcano (1990),1,John Akomfrah,1,John Astin,2,John Boorman,2,John Carpenter,2,John Cassavetes,1,John de Bello,2,John Fasano,1,John Gielgud,1,John Kassir,1,John M Frame,1,John Patrick Shanley,1,John Phillip Law,1,John Waters,1,Johnny Depp,2,Jon Beasley-Murray,1,Jonathan Rosenbaum,5,Jordana Brester,1,Jörg Lemberg,1,Josef von Sternberg,1,Joyce Jimenez,1,Jude Law,1,Judy Garland,1,Julia Lesage,1,Juliana Palermo,1,Juliette Lewis,1,Jump Cut,1,Justin Lin,1,Justin Theroux,1,Kamal Amrohi,1,Kant Miss Kung Fu Klassics,5,Karate Kid (2010),1,Karen Allen,1,Karla Estrada,1,Kat De Santos,2,Kat Dennings,1,Kate Winslet,1,Katrina Paula,4,Katsuhiro Otomo,1,Katya Santos,3,Keith David,1,Ken Adam James Bond films,1,Ken Foree,1,Kenneth Branagh,1,Kevin B. Lee,3,Kevin B. Lee,8,Kevin Dillon,1,Killer Tomatoes Strike Back (1991),1,Kim Akass and Janet McCabe,1,Kimberley Lindbergs,1,Knight and Day (2010),1,Komedi,1,Korea,3,Krista Ranillo,1,Kristen Wiig,1,Kristin Thompson,2,ku_HD,13,Kuhdet Honasan,1,Kuhu Tanvir,1,L. Frank Baum,1,Lamberto Maggiorani,1,Lance Henriksen,2,Lars Von Trier,1,Laserblast (1978),1,Latin America,4,Latin American film studies,2,Laura Mulvey,1,Laurence Fishburne,1,Lawrence Lessig,1,Lee Strasberg,1,legal downloads,1,Leon Vitali,1,Leonardo DiCaprio,2,Les Maitres Du Temps,1,lesbian films,1,Less Than Zero (1987),1,Letter from an Unknown Woman,1,lgbt films,1,Lianella Carell,1,Lieve Schreiber,1,Lilly Cole,1,Lindsay Anderson,1,Lloyd Bridges,1,Logan's Run (1976),1,London Film Festival,1,Lost Boys: The Tribe (2010),1,Lost film-websites,1,Lou Ye,1,Lucia Legarda,1,Lucrecia Martel,2,Ludacris,1,Luigi Cozzi,1,Luis Buñuel,3,Luke McKernan,4,M,1,M. Night Shyamalan,1,Machete (2010),1,Mads Mikkelsen,1,magic on film,1,Makhmalbafs,1,Malcolm McDowell,2,Mamoru Oshii,1,Manohla Dargis,1,Mara Lopez,1,Maria Isabel Lopez,1,María Luisa Bemberg,1,Maribel Verdu,1,Maricar de Mesa,1,Marilyn Chambers,1,Mario Bava,2,Mario Benedetti,1,Marisa Berenson,1,Marisa Mell,1,Marius Goring,1,Mark Patton,1,Mark Wahlberg,1,Martha Plimpton,1,Martin Scorsese,2,Master of the Flying Guillotine (1975),1,Matt Damon,1,Matt Zoller Seitz,4,Maui Taylor,3,Maye Tongco,1,Meaghan Morris,1,media studies,1,MediaCommons,1,Meena Kumari,1,Meg Foster,1,Meg Ryan,1,Melissa Leo,1,Memorable Horror Movie Posters,1,Memorable Movie Robots Part 2,1,Memorable Movie Robots Part I,1,Mercedes Cabral,2,Michael Anderson,1,Michael Caine,1,Michael Chanan,1,Michael Ende,1,Michael Haneke,2,Michael J Anderson,2,Michael Jackson,1,Michael Keaton,1,Michael Moore,1,Michael Powell,2,Michael Rooker,1,Michael Shannon,1,Michael Wincott,1,Michael York,1,Michel Laclos,1,Michelle Aldana,1,Michelle Estevez,1,Michelle Rodriguez,1,Mickey Mouse,1,Mickey Rourke,1,Mike Marvin,1,Mila Kunis,1,Milla Jovovich,1,Mira Nair,1,Miriam Makeba,1,Mistery,11,Miya Nolasco,1,MMFF Entries,3,Moira Shearer,1,Moments of Choice,1,Monica Keena,1,Monster Blog Post,2,Monster Film,1,Monster Films,2,Movie poster typefaces,1,Moving Image Source,1,Museum of the Moving Image,1,music video,1,Musical,3,My Son My Son What Have Ye Done (2009),1,Myles Hernandez,1,Myra Manibog,2,Mystery,3,Natalie Portman,3,Natural Born Killers (1994),1,natural history film,1,Nazism on film,1,New German Cinema,1,new media studies,1,Nicholas Rombes,1,Nick Cassavetes,1,Nick Davis,1,Nick Frost,1,Nicolas Roeg,1,Nicolas Winding Refn,2,Nicole Brenez,1,Nicole Kidman,2,Night of the Demons (1988),1,Night of the Demons (2009),1,Nika Madrid,3,Nimrod Antal,1,Nina Paley,1,Nini Jacinto,1,Nöel Burch,1,Norma Bengell,1,Ntongela Masilela,1,Oliver Postgate,1,Oliver Stone,8,online searches,1,Online Training,1,Only the Cinema,1,Open Access,8,Open Library,1,opening sequences,1,Original vs. Remake,1,Orson Welles,1,Oscars,2,Ossie Davis,1,Other Voices,1,Paco Plaza,1,Pakeezah,1,Pam Cook,1,Pamela Grier,1,Pan's Labyrinth,1,Paprika (2006),1,Parasomnia (2010),1,paratextuality of films,1,Participations,1,participatory culture,1,Patricia Arquette,1,Patricia Aufderheide,1,Patricia Javier,4,Patricia Rozema,1,Patrick Keiller,1,Patrick Kilpatrick,1,Paul (2011),1,Paul Bowman,1,Paul Dano,1,Paul Julian Smith,1,Paul McGann,1,Paul Naschy,1,Paul Newman,1,Paul Ricoeur,1,Paul W.S. Anderson,1,Paul Walker,1,Paula Gomez,1,Pedro Almodóvar,2,peer-reviewing,1,Penelope Cruz,1,Pepsi Paloma,1,Peter Falk,1,Peter Firmin,1,Peter Greenaway,1,Peter O Toole,1,Peter Weir,1,Phil Fondacaro,1,Phillip K. Dick,1,Phillip Noyce,1,philosophy and film,1,Piel Morena,1,Pinewood Dialogues,1,Pirate Philosophy,1,Pirates of the Caribbean,1,Pirates of the Caribbean: On Stranger Tides (2011),1,Planet of the Vampires (1965),1,Podcasts,6,politics,3,popular,2,popular film and television,1,Possession (1981),1,Post Apocalyptic Films,2,postcolonialism,1,Poster Galleries,2,Powers Boothe,1,
ltr
item
movieholic: The Blob (1988)
The Blob (1988)
http://i21.photobucket.com/albums/b300/spacemonkey_fg/Blog%20Pictures/Blob3.jpg
http://i21.photobucket.com/albums/b300/spacemonkey_fg/Blog%20Pictures/th_Blob3.jpg
movieholic
https://movieholic002.blogspot.com/2011/05/the-blob-1988.html
https://movieholic002.blogspot.com/
http://movieholic002.blogspot.com/
http://movieholic002.blogspot.com/2011/05/the-blob-1988.html
true
2561849497115890377
UTF-8
Loaded All Posts Not found any posts VIEW ALL Readmore Reply Cancel reply Delete By Home PAGES POSTS View All RECOMMENDED FOR YOU LABEL ARCHIVE SEARCH ALL POSTS Not found any post match with your request Back Home Sunday Monday Tuesday Wednesday Thursday Friday Saturday Sun Mon Tue Wed Thu Fri Sat January February March April May June July August September October November December Jan Feb Mar Apr May Jun Jul Aug Sep Oct Nov Dec just now 1 minute ago $$1$$ minutes ago 1 hour ago $$1$$ hours ago Yesterday $$1$$ days ago $$1$$ weeks ago more than 5 weeks ago Followers Follow THIS CONTENT IS PREMIUM Please share to unlock Copy All Code Select All Code All codes were copied to your clipboard Can not copy the codes / texts, please press [CTRL]+[C] (or CMD+C with Mac) to copy